蒂莫西•加顿艾什（Timothy Garton Ash）：英国牛津大学欧洲研究教授，圣安东尼学院以赛亚•伯林教授研究员，斯坦福大学胡佛研究所高级研究员。为《卫报》、《泰晤士报》、《纽约书评》等报刊撰稿，并出版多本著作。代表作有We the People、The File ：A Personal History、Facts are Subversive等。

Timothy Garton Ash is well known as an astute and penetrating observer of a dazzling array of subjects, not least through his many contributions to the New York Review of Books. This collection of his essays from the last decade reveals his knack for ferreting out exceptional insights into a troubled world, often on the basis of firsthand experience. Whether he is writing about...(展开全部)

蒂莫西•加顿艾什（Timothy Garton Ash）：英国牛津大学欧洲研究教授，圣安东尼学院以赛亚•伯林教授研究员，斯坦福大学胡佛研究所高级研究员。为《卫报》、《泰晤士报》、《纽约书评》等报刊撰稿，并出版多本著作。代表作有We the People、The File ：A Personal History、Facts are Subversive等。

蒂莫西•加顿艾什（Timothy Garton Ash）：英国牛津大学欧洲研究教授，圣安东尼学院以赛亚•伯林教授研究员，斯坦福大学胡佛研究所高级研究员。为《卫报》、《泰晤士报》、《纽约书评》等报刊撰稿，并出版多本著作。代表作有We the People、The File ：A Personal History、Facts are Subversive等。

A preeminent music historian and critic presents a global history of music from the bottom up Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, historian Ted Gi...(展开全部)

[美]米卡・拉瓦克-曼提（Mika LaVaque-Manty），密歇根大学终身讲席教授（Arthur F. Thurnau Professor）兼政治学副教授，也是密歇根大学学习与教学研究中心的研究员。他曾荣获多项教学奖项，最近的一项是2013年获得的“教务长教学创新奖”，教授的课程涵盖政治理论和政治学研究设计，其中许多课程注重写作训练。著有《政治学写作指南》《伊顿的运动场：现代精英制中的平等与卓越》等。 [美]丹妮尔・拉瓦克-曼提（Danielle LaVaque-Manty）在密歇根大学获得政治学博士学位，曾在密歇根大学斯威特兰写作中心教授学术写作和写作教学法课程五年，目前从事学术编辑工作和担任写作顾问。 译者：李君然，清华大学写作与沟通中心讲师，清华大学21世纪发展研究院兼职研究员，曾获评清华大学课程思政示范教师（2022年）。主要研究方向为...(展开全部)

Legendary spymaster Markus Wolf has emerged from the shadows to reveal his remarkable life of secrets, lies, and betrayals as head of the world's most formidable and effective foreign intelligence service ever. Wolf was undoubtedly the greatest spymaster of our century. He was a figure of mystery, a shadowy Cold War legend who kept his own past locked up as tightly as the s...(展开全部)

A classic returns. The original edition of Amos Vogel's seminal book, Film as a Subversive Art was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthi...(展开全部)

A classic returns. The original edition of Amos Vogel's seminal book, Film as a Subversive Art was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthi...(展开全部)

A Man Without a Country is Kurt Vonnegut's hilarious and razor-sharp look at life ("If I die-God forbid-I would like to go to heaven to ask somebody in charge up there, 'Hey, what was the good news and what was the bad news?'"), art ("To practice any art, no matter how well or badly, is a way to make your soul grow. So do it."), politics ("I asked former Yankees pitcher Jim Bou...(展开全部)